Damn. This novel is very clearly Hungarian-Jewish, but it’s developed out of at least one other cultural tradition. The most obvious antecedants structurally are, in no particular order, García Márquez’s One Hundred Years of Solitude, Allende’s The House of the Spirits, and perhaps Szabó’s Sunshine (the timing would be kind of tricky for this to actually have inspired it); like the last of these, it’s a historical drama following the fates of a single family, but it has a considerable layer of the mystical and the magical that marks the two aforementioned Latin works. It’s less subtle in its exploration of family cycles than, say, The House of the Spirits; some of the patterns are explicitly spelled out and the recapitulation of the past through memory is implemented through a pretty direct mechanism (which is nicely subverted by the twelfth Csillag).
But in addition to a novel with those familiar thematic elements of mystical heritage through a single family line, this is a Hungarian story, which means it lives in an extremely well-defined timeline. Macondo sleeps in timeless torpor, and even Argentina’s history is a seesaw of internal conflict, while Hungary’s is punctuated by the intrusion of specific external influences: Turkish, Austrian, Nazi, Soviet. The tenor of individual times comes through in The Book of Fathers, but in an intriguingly subdued manner. Major events, like the 1848 revolution and even the World Wars, happen in a peculiarly offstage manner: all three of the Csillags with the misfortune to experience the 40s suffer horribly during the war, but somehow World War II itself never quite comes into focus, although the shroud of the war hangs heavy. The 1956 revolution can nearly be missed, and the 1989 reformulation of the state takes place offstage. And yet the tenors of the times are crucial for understanding the characters’ positions in society. This book was written for those familiar with these events as commonplace history, so it’s not surprising that Vámos doesn’t present a didactic summary of them, but it’s refreshing if perhaps a bit confusing to see a historical novel not take the easy way out stringing from historical event to historical event. This book is more about the moods of the times and the fortunes of individuals than about history itself, and it does a marvelous job of drawing a series of interconnected but individually distinctive stories.