Édes Emma, drága Böbe: vázlatok, aktok

[Screenshot]Not, I’m afraid, Szabó’s best. His German vacation in the 80s did him good, but his return to de-Communized Hungary looks like it took a while to hit its stride, and was rather hampered by the rough shape of the nation itself. Hungary’s own troubles manifested in the low production values of this film; it’s grainy with poor sound quality (the illegible burned-in subtitles, on the other hand, I blame on the inadequacy of the US DVD authoring). On the directorial-weakness side, I’ve noted that Szabó has a gift for focusing on a single characteristic experience of a point in history, and in this occasion chose perhaps a rather too limited perspective. The focus of this film is so narrow that, aside from the focus on a change from Russian-language to English-language teaching, the major societal changes don’t come through at all, which is a pity. There’s also a great deal of gratuitous nudity; so much so that it’s alluded to in the title, even, and it doesn’t contribute anything at all,as far as I can tell, to the main themes of thin film.

For a strong impression about Hungary immediately after liberalization, I get the impression Moszkva tér (which I have yet to actually see) is a better story.

See also: IMDB.


About Jake
I'm a mathematics professor at the University of Louisville, and a geek.

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