Rubber

[Screenshot]I thought a movie about a sentient tire going around killing people was a pretty oddball premise, and one that had some promise. I got a rather stranger movie than I expected. I’m not even sure whether it’s supposed to be about the tire or the people watching the tire, and the central horror-element plot ends up as a sidelight to a strange but internally self-consistent set of rules governing observers and actors.

All in all, Rubber is one odd duck of a film. It is more than it might seem but also less than the sum of its parts, and the overall effect is of an intriguing experiment which is something of a stew of not-entirely-cohesive ideas. The whole is mostly clever, teetering on the edge of self-indulgence and only rarely falling on the wrong side, but whether it actually ends up “good” in spite of its flaws is a trickier question. Unmistakably it’s doing something different, and throws out some spoofing of the horror genre with a liberal larding of extradiegesis games and a quasi-Dadaist philosophy. Certainly a lot of the actual individual elements have been done before, and the whole is a splattery ball of unblended bits, but there’s a scale between “individual conceits” and “the whole film” at which a lot of the elements seem pretty imaginative and well-done.

On actual technical issues this movie doesn’t exactly shine, and “low-budget” seems to be the phrase of the day. I’m sure there’s some neat trickery involved in making the tire move around, some of which, I assume involves just plain rolling it in from off-camera, but the sets are pretty bare and the acting honestly fairly wooden most of the time — although a good half of the cast has the excuse, perhaps, that their acting is supposed to be terrible.

On balance, it’s mostly worth the watching. It’s not heinously long, it’s occasionally funny, and at its high points it’s actually rather interesting.

See also: IMDB, Wikipedia.

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About Jake
I'm a mathematics professor at the University of Louisville, and a geek.

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