ゲド戦記/Tales from Earthsea

[Screenshot]I’ve been mourning the decreasing involvement of the elder Miyazaki in recent Ghibli productions since, well, at least when I reviewed Ponyo. This work is not actually a Hayao Miyazaki film; it’s made by his son Goro. I tried not to let that color my judgment too much, but the fact of the matter is that this movie doesn’t have a lot to set it above the crowd. On a technical level it’s quite good, particularly in backgrounds. The character-designs seem in some ways cruder than the Ghibli standard: maybe greater stylization and simplicity? They’re still quite good, mind. I listened to the Japanese dub enough to determine that it was passable, and then switched over to English, since Disney’s voicework for Ghibli localizations is usually excellent. They got good people doing good work this time too, but I think maybe someone told Timothy Dalton (who I honestly did not realize had done anything else after his stint as James Bond) “sound as much like Ian McKellan doing Gandalf as you can”.

So technically Earthsea is quite good, but realistically I expect nothing less. What brings me back to Miyazaki’s work is creativity and thematic strength, and on those fronts this story feels a little flat. I’ll admit the only book of the source material I’ve read is A Wizard of Earthsea, and except for a few side references to the larger world this story didn’t particularly resemble anything I read there, although I’m given to understand it bears a closer plot similarity to some of the later books in the series. In one particular, of course, it’s conspicuously different: I’m pretty sure Earthsea’s not supposed to have that many white people (where “that many” in this context happens to be “everybody”).

A lot of what I got from AWOE was about personal responsibility and the limits of personal power. Sparrowhawk fucks up horribly and then cleans up his mess, becoming a stronger person and gaining a greater appreciation for his own limitations in the course of his redemption. Power unchecked is somewhat a theme in this film, but without too much of a connection to personal limitations: there’s a great deal of nattering about The Balance of Nature and suchlike which all ends up mostly irrelevant to the actual confrontation and the villain’s plans. I’m not such a purist as to insist that an adaptation needs to be compatible in themes or plot or even characterization with its parent work, but where it cuts the original work out, it needs to put something else in its place, and even considered as a standalone work Tales is problematic. A lot of plot threads end up dropped abruptly: there’s no reason to suspect, for instance, that the blight on the land is connected to Cob’s machinations.

It’s a very pretty film, but left me with little to hang on to. Ponyo at least had charm, but this felt at least as unfocused and without cute fish. Of course, a girl does fly in it. Evidently producing films about flying girls is a genetically heritable trait.

See also: IMDB, Wikipedia, Anime News Network, Nausicaa.net.

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About Jake
I'm a mathematics professor at the University of Louisville, and a geek.

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